* This content is licensed by BMI
|---------9--9----------------------------2-----------------7-| |-10--12--------12--10--10--9----------9-----3-----------7----| |------------------------------11--11-----------2-------------| |--------------------------------------------------4--6-------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-9-----5--7--9/12--12--17--19--2\1--19--17--17--16----------16-| |----5----------------------------------------------19--19-----| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-14----------------------------------------------------------| |-----15-------------10---------12--12--14--12--10------------| |---------14\11--11------11--9----------------------9\6--4----| |-----------------------------------------------------------7-| |-------------------------------------------------------------| |-------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash