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|--------------------------------------------------------------| |-----3--------3--------0--------------------------------------| |---0---0----0---0----0----------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-3--------2--------0------------------------------------------| |--------------------------------------------------------------| |-----1-------3-------1----------------------------------------| |---0---0---0---0---0------------------------------------------| |--------------------------------------------------------------| |-3-------2-------0--------------------------------------------| |--------------------------------------------------------------| |-----2---------2----3-2-0--2------0----3----------------------| |-------3---------------------3---------4----------------------| |---2-----2---2---2-------------4-------5----------------------| |-0---------1---------------------------5----------------------| |---------------------------2------3----3----------------------| |--------------------0-----------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash