* This content is licensed by BMI
|---------0-------------------------------------0----------------| |-----0---------------------0---------------0--------------------| |---4---4---------------0-----------------4---4------------------| |-2-------------------2---2-------------2------------------------| |-------------------3--------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------0-------------1-0--------------------------------------| |-----0-----------0----------------------------------------------| |---2---2-------2---2--------------------------------------------| |-3-----------3--------------------------------------------------| |----------------------------------------------------------------| |---------0-----------0------------------------------------------| |-----0-----------3---------------0-------------1-0--------------| |---4---4-------2---2---------0-----------0----------------------| |-2-----------0-------------2---2-------2---2--------------------| |-------------------------3-----------3--------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash