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|--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |-------------------------------------------5------------------------| |-0--8-8--6h8p6p5-5-5--0--0--8-8--6h8p6p5-5---5--0--8-8--6h8p6p5-5-5-| |-0--------------------0--0----------------------0-------------------| |------------------------------------------| |------------------------------------------| |------------------------------------------| |-5---7---8--------------------------------| |-3---5---6--1-1-1-3--0--8-8--6h8p6p5-5-5~-| |---0---0----1-1-1-3--0--------------------| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |---------------------5~----------------------| |-0-0-8-8--6h8p6p5--5----0--8-8--6h8p6p5-5-5~-| |-0-0--------------------0--------------------| |----------------------| |----------------------| |----------------------| |-5---7---8------------| |-3---5---6--1-1-1-3-1-| |---0---0----1-1-1-3-1-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash