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|-12-12-14-14h15------------------------------------------| |-----------------13~--12b13r12--10h12p10\8--7/12-12/5-5/8-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-12-12-12h14-15---------------------------------------------| |------------------13--13-15-17-15-13-15-12h13p12/10h12p10/8~-| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |--------------------------------------------------------| |-7/12-12/5-5/8b--8--/7/12-12/5-5/8~--/8--7/12-12/5-5/8~-| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-------------------------------| |-/8--7/12-12/5-5/8~---/8-7-----| |---------------------------7b9-| |-------------------------------| |-------------------------------| |-------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash