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|-------------10-----------------| |-13b15-15r13----13-10-----------| |----------------------12b14-r14-| |--------------------------------| |--------------------------------| |--------------------------------| |----------------13-16-16b17--17h22p17----------------------| |-------------15-----------------------18-------------------| |----------14-----------------------------19----------------| |-------15-----------------------------------19-18-19b20r19-| |-15-17-----------------------------------------------------| |-----------------------------------------------------------| |-17h18p17p13-------------| |-------------15----18b20-| |----------------14-------| |-------------------------| |-------------------------| |-------------------------| |-------------------------------| |-17-18-17-13-------15b17-17b18-| |-------------14----------------| |----------------14-------------| |-------------------------------| |-------------------------------| |-17-13----------------------------------13-17-17b18r17-| |-------15-13/10-13-------------------15----------------| |-------------------10b12----------14-------------------| |-------------------------------15----------------------| |-------------------------12h17-------------------------| |-------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash