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|--------------------------------------------------------| |--------------------------------------------------------| |-9---6---4--4--4---6---5--5--5--------------------------| |-9---6---4--4--4---6---7--7--7---4--4--4--------7--7--7-| |-7---4---2--2--2---4---7--7--7---4--4--4--------7--7--7-| |---------------------------------2--2--2---4~---5--5--5-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-9--9--9---11---12---11--11--11----9--9--9----7--7--7---2-| |-9--9--9---11---12---11--11--11----9--9--9----7--7--7---2-| |-7--7--7----9---10----9---9---9----7--7--7----5--5--5---0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash