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|--------------------------------------------------------------| |--------------------------------------------------------------| |--2b3r2p0-------------------2b3r2p0---------------------------| |------------0---0h2-0------------------0---0h2-0--------------| |----------3---3-------3-0------------3---3-------3-0----------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--2b3r2p0--------7b9-7-5--------------------------------------| |------------0------------7------5-7---------------------------| |----------3---3-------------5h7-------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--2b3r2p0-----------------------------------------------------| |------------0---0h2-0-----------------------------------------| |----------3---3-------3-0-------0-0---------------------------| |----------------------------0h3-------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash