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|-10----12------10----12-----10----12-----10----12----| |----10----10------10----10-----10----10-----10----10-| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-7---10----7---10----7---10----7---10---| |---8----8----8----8----8----8----8----8-| |----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0-2-0-----------0-2-0-----------0-2-4-2-0-2-----0-2-4-2-0-2----| |-------2-0-2-0-2-------2-0-2-0-2-------------2-0-------------2-0| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash