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|----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-5-5--5-5-5--5-7-7-X-X--5-5--5-5-5--5-7-7-X-X--5-5--5-5-5--5-7--| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |7-10-7-10--5-5--5-5-5-7-7-X-X--5-5--5-5-5--5-7-7-X-X-5-5-5-5-5--| |-7-----7-----14-14-15-14--7------7-----7-9-10--7-| |-7-----8--12-12-12-12-12--7-X-X--7-----8-8-8---7-| |-7-9-7-9--12-12-12-12-12--7-X-X--7-9-7-9-X-0---7-| |-7-9-7-9--12-12-12-12-12--7-X-X--9-9-7-9-9-9---9-| |---9------------------------X-X--9-9-----------9-| |----------------------------X-X--7-------------7-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash