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|-----3-----------------------------------------| |-------3-6-------------------------------------| |-5b--------5b-3b-------------------3b-------3b-| |----------------5----5--5-3b----------5--5-----| |-------------------5--------5-3----------------| |---------------------------------6-------------| |-----------------------10-----------------------------| |----6-6----8-8---8-10b----10b--8--8---11b-8---8---18b-| |-7------/9-----9----------------------------9---------| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-15-----------------------------------------------------| |----18-15-------------17-15------18-----18--------------| |-----------17b-15b----17-15--17b----17b----17b--15b-----| |-------------------17--------------------------------17-| |--------------------------------------------------------| |--------------------------------------------------------| |-----------------18b-18-19r-15-17----15-----15-------| |-17-15-17-15--15------------------17----18b----18-15-| |-17-15-17-15-----------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------15-------17b-15-| |-------------------17------17----------| |-17b--15-17-17/19----------------------| |---------------------------------------| |---------------------------------------| |---------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash