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|----3-----------3-------------3-3-3-3--------------------------| |----------1-----------1--1----1-1-1-1--------------------------| |------0h2-2-----------2--2----2-2-2-2--------------------------| |--3---------------0h2----2----2-2-2-2--------------------------| |-------------3-----------0----0-0-0-0--2-2/5-2-----------------| |-----------------------------------------------3---------------| |----3-----------3-----------3-3-3-3---3-3-3-3------------------| |----------1-----------1--1--1-1-1-1---3-3-3-3------------------| |------0h2-2-----------------2-2-2-2---0-0-0-0------------------| |--3---------------0h2-------2-2-2-2---0-0-0-0------------------| |-------------3--------------0-0-0-0---2-2-2-2------------------| |---------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash