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|----------------------------------------------| |---5----8---5-5--8---5-5--8---5----------5--7-| |-6----9-----6----9---6----9-----6----6-7------| |----------------------------------7-----------| |----------------------------------------------| |----------------------------------------------| |---------------------------------------------------------------| |-8--5-5--8--5-5--8---5----------5-7----8----5-----10----8----7-| |-9--6----9--6----9-----7-6--6-7------9----6----11-----9----7---| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |----10-9-7----10-9-7-------------5-| |-10--------10--------10-8-7--------| |-------------------------------7---| |-----------------------------7-----| |-----------------------------------| |-----------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash