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|--9--9--7-7--10---9--7-------9----12-12-------9-----------------| |-10-10--9-9--10--10--9--9/10------10-10-----9----12-------------| |-------------------------------11---------9---------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------9--------------------------------------------------| |-------10------------10--12--------10-------10/12-12-12-12------| |-11-11----11---11-11--------11--11----11-11-11/13-13-13-11------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-/-9--9--9--7--7--10---9--7-------9----12-12--------------------| |-/10-10-10--9--9--10--10--9--9/10------10-10--------------------| |------------------------------------11--------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash