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|-16b18-b18r16--16b18--13--------13----------------------------| |-------------------------13-----------------------------------| |----------------------------b15-----15b16r15--b13-------------| |---------------------------------------------------15---------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-------13-------13-------13-------13-------13-------13--------| |-16b17----16b17----16b17----16b17----16b17----16b17-----------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-----13-------------------------------------------------------| |-b15----b15-15-13----15b17--15--15b17-15----------------------| |------------------15------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash