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|---------------------------------------------------------------| |---------------------------------------------------------------| |-5--5-5-5-5--5-5-5-5--5-5--5/7--7-7-7-7--7-7-7-7---------------| |-7--7-7-7-7--7-7-7-7--7-7--7/9--9-9-9-9--9-9-9-9---------------| |-0--0-0-0-0--0-0-0-0--0-0--0-0--0-0-0-0--0-0-0-0---------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-4--4-4-4-4---4-4-4-4---2---2-2-2-2---2-2-2-2------------------| |-5--5-5-5-5---5-5-5-5---3---3-3-3-3---3-3-3-3------------------| |-0--0-0-0-0---0-0-0-0---0---0-0-0-0---0-0-0-0------------------| |---------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash