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|--------3------------1-------0---8--7--3----0--------0--13--12-| |------1---1--------1---------1------------3----------1---------| |----1-------1----2---------0-----9--7--4-----------2----14--12-| |-------------------------2-----------------------3-------------| |-----------------------3-----------------------3---------------| |-3-------------3-----------------------------------------------| |-8--5--------0--8--7--3------------| |-------------1-----------6p5p3h5h6-| |-9--5------0----9--7--4------------| |---------2-------------------------| |-------3---------------------------| |-----------------------------------| |--------0--8--7--3----0--------0--13--12--8--5--------0--8-7-3-| |--------1-----------3----------1----------------------1--------| |-----0-----9--7--4-----------2----14--12--9--5------0----9-7-4-| |---2-----------------------3----------------------2------------| |-3-----------------------3----------------------3--------------| |---------------------------------------------------------------| |-10--12--13--13--12-----------8-----------| |----------------------------9-----------1-| |--------------------------7-----------2---| |----------0-------------0-----------3-----| |----------------------8-------------------| |-----------------12--------------3--------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash