Silvio Rodriguez

Silvio Rodriguez

Angel Para Un Final

Difficulty: Intermediate

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|-------5-----4-----0-----------2-----0--------------------------| |-------0---0-----0-----0-----3-----3-----3-3-2p0-------2--------| |-----0---0-----0-----0-----2-----2-----2-------------2---2------| |-------------------------0-------------------------2-------2----| |---4---------------------------------------------0--------------| |-2--------------------------------------------------------------| |--------------------2-----0-----------------2-4-5-------5-----4-| |--------5---------3---3---0-----------2-3-5-----------2-----2---| |----6-----6-----2-------2-1-----1-2-4-----------------2---2-----| |--6---6-----6-0-----------2-2-4---------------------------------| |-4------------------------2-------------------------4-----------| |--------------------------0-----------------------2-------------| |-----0-----------2-----0-----------------------| |---2-----2-----3-----3-----3-3-2p0-------2-----| |-2-----2-----2-----2-----2-------------2---2---| |-----------0-------------------------2-------2-| |-----------------------------------0-----------| |-----------------------------------------------| |--------------------2-----0-| |-------5----------3---3---0-| |-----6---6------2-------2-1-| |---6-------6--0-----------2-| |-4------------------------2-| |--------------------------0-|

h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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