* This content is licensed by BMI
|---------------------------------| |---------------------------------| |-----x---x---x---x---x---x---x---| |-----x---x---x---x---x---x---x---| |---5-x-5-x-3-x-3-x-2-x-2-x-1-x-1-| |---------------------------------| |---------------------------| |---------------------------| |-----x---x---x---x---x-----| |-----x---x---x---x---x-----| |---3-x-3-x-2-x-2-x-1-x-1-1-| |---------------------------| |--------------------------------------| |---6-x-6-x--8--x-8--x--8-x-8-x--6-x-6-| |---7-x-7-x--9--x-9--x--7-x-7-x--7-x-7-| |---7-x-7-x--10-x-10-x--9-x-9-x--8-x-8-| |--------------------------------------| |--------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash