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|----------------------------------------------------------------| |----------------------------------------------------------------| |-4--4--4--4--2-----------------4--4--9--9--2--------------------| |-4--4--2--2--2----4/6-4/6-4-2--4--4--9--9--2-------2-4-4/6-4----| |-2--2--4--4--0-----------------2--2--7--7--0----2---------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-4--4--4--4--2-----------------4--4--9--9--2--------------------| |-4--4--2--2--2----4/6-4/6-4-2--4--4--9--9--2--------------------| |-2--2--4--4--0-----------------2--2--7--7--0----/4-7------------| |-----------------------------------------------------7-5--------| |-------------------------------------0--------------------------| |-------------------------------------0--------------------------| |-4--4--4--4--2-----------------4-----2--------------------------| |-4--4--2--2--2----4/6-4/6-4-2--4-----2--------------------------| |-2--2--4--4--0-----------------6-----0--------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash