* This content is licensed by BMI
|---------------6-x-6-----------------4-x-4---4--------6--6--| |---------------7-x-7-----------------4-x-4---4--------6--6--| |---6-6h8p6-----6-x-6-----6-6h8p6-----4-x-4---4--------7--7--| |-8---------8-8---------8---------8---4-x-4---4--------6--6--| |-------------6---------------------6------------------------| |-----------------------------------4------------4-5-6-------| |---------------6-x-6-----------------4-| |---------------7-x-7-----------------4-| |---6-6h8p6-----6-x-6-----6-6h8p6-----4-| |-8---------8-----------8---------8---4-| |-------------6-------------------------| |-----------------------------------4---|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash