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|--------------------------------------------------------------| |--------------------------------------------------------------| |-8-8b10r8-5--5-5b6r5----8-8b10r8-5--5-5b6r5-------------------| |---------------------6-----------------------6----------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------------1-------------------------------------| |-------1-------4------------6b8r6b8r6b8r6----------1--------3-| |---1-------1--------1-------------------------1--------1------| |-3---3---3---3----3---3---------------------3---3----3---3----| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-------4------------------------------------------------------| |---1----------------------------------------------------------| |-3---3------9-9-9-9-8-8-8-8-----------------------------------| |------------9-9-9-9-8-8-8-8-----------------------------------| |------------7-7-7-7-6-6-6-6-----------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash