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|---5-5-6-6-5-5-5-6-6-5-----5-5----------------------------------| |---6-6-6-6-6-6-6-6-6-6-6-5-6-6-5---3-3-5-5-3--------------------| |---7-7-7-7-7-7-7-7-7-7-5-5-5-5-5---5-5-5-5-5--------------------| |---7-7-8-8-7-7-7-8-8-7-5-5-7-7-5---5-5-5-5-5--------------------| |-5--------------------------------------------------------------| |----------------------------------------------------------------| |-3-3-5-5-3---3-3-5-5-3------------------------------------------| |-3-3-3-3-3---3-3-3-3-3---6-6-5-5-6-6-6-8-8-6--------------------| |-5-3-5-5-5---4-4-4-4-3---7-7-7-7-7-7-7-7-7-7--------------------| |-5-5-5-5-5---5-5-5-5-5---8-8-8-8-8-8-8-8-8-8--------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash