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|--------------------------------------------------------------| |---------3--------------3------------0h1---0-1----------------| |-----0-----0--------0-----0-------------------------0-----0---| |---0---------0----0---------0------2--------------2---0h2----0| |-------------------------------0---------0-----0--------------| |-3-----3--------2-----2---------------------------------------| |--------------------------------------------------------------| |-----3-------3------3----------------0h1---0------------------| |---------0--------------2---2----------------------0-----0----| |---0-------0------0-------0-------2----------2---2---0h2------| |--------------------------------0--------0-----0--------------| |-3-----3--------2-----2---------------------------------------| |------3----------3----------------3---------------------------| |--------1------0---0------------------------------------------| |----0-----0----------0------0---0-----------------------------| |--------------------------2---2-------------------------------| |-3-----------2----------0-------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash