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|----------------------------------------------------------------| |-8--x--8--x--x--10-10-8--10-8--7--x--7--x--x--7--7--7--9--------| |-9--x--9--x--x--9--9--9--9--9--8--x--8--x--x--8--8--8--8--------| |-10-x--10-x--x--10-10-10-10-10-9--x--9--x--x--9--9--9--9--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-10-10-9--8--x--8--x--x--10-10-8--10-8--7--x--7--x--x--7--------| |-8--8--8--9--x--9--x--x--9--9--9--9--9--8--x--8--x--x--8--------| |-9--9--9--10-x--10-x--x--10-10-10-10-10-9--x--9--x--x--9--------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash