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|--------------------------------------------------------------| |----------------------------------------8-7-10----10---8---7--| |-----4-7-5-4-5-4h5p4----------------7-9-----------------------| |-0h5-----------------7-7-7---7-9-10------------10----9---7----| |--------------------------------------------------------------| |--------------------------------------------------------------| |---------------------5/7--5-3--3--2--3--4/5-------------------| |---5---3----2/3-1-0-----------------------------7-8-7-8-10----| |------------3/4-2-0--5/7--5-4--4--2--4--4/5---9---------------| |-5---4--------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------7------7-8p7--------------------------| |-8-10---8-10-------10-8-7-------------------| |--------------------------9-7------7\5------| |------------------------------10-9-----7-5--| |--------------------------------------------| |--------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash