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|--5---------2-------------------------------------------------| |--5----2----2----7--------------------------------------------| |--6----4----2----7--------------------------------------------| |--7----3----4----7--------------------------------------------| |--7----4----4----5--------------------------------------------| |--5---------2-------------------------------------------------| |----5-5----5-5----5-5-----5-5---------------------------------| |----5-5----5-5----5-5-----5-5------2-2----2-2----2-2----2-2---| |----6-6----6-6----6-6-----6-6------4-4----4-4----4-4----4-4---| |----7-7----7-7----7-7-----7-7------3-3----3-3----3-3----3-3---| |----7-7----7-7----7-7-----7-7----4-4-4--4-4-4--4-4-4--4-4-4---| |--5-5-5--5-5-5--5-5-5---5-5-5---------------------------------| |----2-2----2-2----2-2----2-2----------------------------------| |----2-2----2-2----2-2----2-2-----7-7----7-7-------------------| |----2-2----2-2----2-2----2-2-----7-7----7-7-------------------| |----4-4----4-4----4-4----4-4-----7-7----7-7-------------------| |----4-4----4-4----4-4----4-4---5-5-5--5-5-5-------------------| |--2-2-2--2-2-2--2-2-2--2-2-2----------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash