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|-------------0-0-0-0-0--1-1-1-1-1--0-0-0-0-0------------------| |-1-1-1-1-1---1-1-1-1-1--1-1-1-1-1--1-1-1-1-1------------------| |-2-2-2-2-2---0-0-0-0-0--2-2-2-2-2--0-0-0-0-0------------------| |--------------------------------------------------------------| |-0-0-0-0-0-2-3-3-3-3-3-------------3-3-3-3-3-2----------------| |------------------------1-1-1-1-1-----------------------------| |-------------0-0-0-0-0--3-3----------1-1-1-1-1----------------| |-1-1-1-1-1---1-1-1-1-1--3-3----------1-1-1-1-1----------------| |-2-2-2-2-2---0-0-0-0-0--4-4----------2-2-2-2-2----------------| |------------------------------5/7/5---------------------------| |-0-0-0-0-0-2-3-3-3-3-3----------------------------------------| |------------------------3-3---3/5/3--1-1-1-1-1----------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash