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|---------0---0----------2-5------5--------2------2--------------| |-------0---0-0----3----2--5--5---5---5---3---3---3-0------------| |-----2-------2---0----2---4-4----3-3----2---2-2--2-1---------2--| |---2---------2--4----4----4------------4-----------0-----2------| |-0-----------0------0-----5----4------2----------------4---4----| |---------------0--------------------------------0--1-2----------| |----------2---5-2-2-----0---2------0---0-2-5-5-2-2----------0-2-| |----3----2--7-5-3-3----0-0--3-----0-0--3-2-5-5-3-3-0----0---3-2-| |---0----2---6-3-2-2---2---2-2----2---2-0-2-4-2-2-2-1---2-2--0-2-| |--4----4----7-3-4-2--2----------2------4-4-4-0-4-2-0--2---2-4-4-| |------0-----5-4-2---0----------0---------0-5-4-2-0------------0-| |-0----------------0---------0----------0-----------1-2------0---| |-5-5-2-2-0-| |-7-5-3-3-0-| |-6-3-2-2-2-| |-7-3-4-2-2-| |-5-4-2---0-| |-------0---|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash