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|--5--5---3---------------------0--0------------1p0------------| |--5--5---3---5----5--5--3--1---1--1--1--3---3--------1--------| |--5--5---4---5----5--5--4--2---2--2--2--2---2------2----------| |--7--7---5---5----5--5--5--3---3--3--3--3---------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--5--5---3---------------------0--0---------------------------| |--5--5---3---5----5--5--3--1---1--1--1--3--1--3---3--1--3-----| |--5--5---4---5----5--5--4--2---2--2--2--2--0--2---2--0--2-----| |--7--7---5---5----5--5--5--3---3--3--3--3--3--3---3--3--3-----| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash