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|-0-2-3-----------------------------------0-2-3----------------------| |----------0----0-2-3-----------------3-----------0---0-2-3----------| |--------0---0--0---0----------0-0h2------------0---0-0---0----------| |---------------------0------0---0--------------------------0------0-| |---------------3----------2--------------------------3----------2---| |-----0------------------3--------------------0----------------3-----| |---------0-2-3---------------------------| |-------3---------0---0-2-3---------------| |-0-0h2---------0---0-0---0---------0-0h2-| |---0-----------------------0-----0---0---| |---------------------3---------2---------| |-------------0---------------3-----------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash