* This content is licensed by BMI
|---------------------------------------------------------------------| |----------------------8b10----------------------8b10-----------------| |--------------------7-------------------------7----------------------| |---3---3---3---3-9--------7~--------------9--------7~--------------| |-1-2-1-2-1-2-1-2--------------10------7~--------------10------7~-| |-0---0---0---0--------------------10-0----------------------10-0-----| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------------------------------------7-7-7h9~------| |----5-7-7b9-5~---------------5-7/9-7~-7\5---7/9---------------| |-7------------10--------7--------------7-------------------| |-------------------10-0-3--------------------------------12--| |--------------------3-3-x-----|---| |-----8-8-x---8------3-3-x-----|---| |-----7-7-x---7------0-0-x-2-2-|---| |-----6-6-x---6------0-0-x-2-2-|-2-| |-----7-7-x---7----------x-0-0-|-2-| |-0-0-------0----3-3-3---------|-0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash