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|--------------------------------------------------------------------| |-----------0--------0---------0----------------0--------0---------0-| |-----------4--------2---------2----------------4---4----2---------2-| |-0-0-0-2-4-5---5----4----4----4----4----0-2-4--5--------4----4----4-| |--------------------------------------------------------------------| |-----------0-0---0--0--0---0--0--0---0--0-0-0--0-0---0--0--0---0--0-| |-------------------------0-----------------------------------------|- |----------------0---3-----3-----------------------3-------3-------2-| |----------------4-------4-2-------2-------2-------2-------2-------2-| |---0---0--0-2-4-5---------4---4---4---4---4-4\2-0-2---2---2---2---2-| |--------------------------0-----------------------0-0---0-0-0---0-0-| |-0---0----0-0-0-0-0---0---0-0---0-0-0---0-0-------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash