* This content is licensed by BMI
3x |----------------------------------------------------------------| |-4-4-4---4-4-4---8-8-8---8-8-8-------------------6-6-6---6-6-6--| |-5-5-5---5-5-5---8-8-8---8-8-8-------------------5-5-5---5-5-5--| |---------------------------------7-7-7---7-7-7------------------| |---------------------------------8-8-8---8-8-8------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-4-4-4---4-4-4---8-8-8---8-8-8----------------------------------| |-5-5-5---5-5-5---8-8-8---8-8-8----------------------------------| |---------------------------------7-7-7---7-7-7------------------| |---------------------------------8-8-8---8-8-8------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash