* This content is licensed by BMI
|-----------------------------------------------------| |-1-1-1-1-1-1--------1-1-1-1-1-1-1-1------------------| |-2-2-2-2-2-2--0-0---0-0-0-0-0-0-0-0------------------| |-2-2-2-2-2-2--0-0---2-2-2-2-2-2-2-2--0-0-0-0-0-0-0-0-| |-0-0-0-0-0-0--2-2---3-3-3-3-3-3-3-3--0-0-0-0-0-0-0-0-| |-------------------------------------3-3-3-3-3-3-3-3-| |-1-1-1-1-1-1-1-1-| |-1-1-1-1-1-1-1-1-| |-2-2-2-2-2-2-2-2-| |-3-3-3-3-3-3-3-3-| |-3-3-3-3-3-3-3-3-| |-1-1-1-1-1-1-1-1-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash