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I N T R O |-2-x--------------------------x---------------------| |-3-x-3---x--0-x-2---------3---x-3---x-0-x-2---------| |-2-x-2---x--0-x-2---2h4---0h2-x-2---x-0-x-2---2h4---| |-0---0---x--0-x-2-------2-0-----0---x-0-x-2-------0-| |----------------0-0-----------------------0-0-------| |-----2-2----3-------------------2-2---3-------------| |-2-x--------------------------x----------------0-| |-3-x-3---x--0-x-2---------3---x-3---x-0-x-2-x--0-| |-2-x-2---x--0-x-2---2h4---0h2-x-2---x-0-x-2-x--0-| |-0---0---x--0-x-2-------2-0-----0---x-0-x-2-x--2-| |----------------0-0-----------------------0----2-| |-----2-2----3-------------------2-2---3--------0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash