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|-3---3-3-3--3---3-3-3-3-3-3-3--3---3-3-3--3-3-3-3-3-3-3-------| |-1---1-1-1--1---1-1-1-1-1-1-1--1---1-1-1--0-0-0-0-0-0-0-------| |-0---0-0-0--0h2-2-2-2-2-2-2-2--0---0-0-0--0-0-0-0-0-0-0-------| |-0h2-2-2-2--3---3-3-3-3-3-3-3--0h2-2-2-2--0-0-0-0-0-0-0-------| |-3---3-3-3---------------------3---3-3-3--2-2-2-2-2-2-2-------| |------------------------------------------3-3-3-3-3-3-3-------| |-3---3-3-3--3---3-3-3-3-3---3-3--3-3-3-3-3-3-3----------------| |-1---1-1-1--1---1-1-1-1-1---1-1--0-0-0-0-0-0-0----------------| |-0---0-0-0--0h2-2-2-2-2-0h2-0-0--0-0-0-0-0-0-0----------------| |-0h2-2-2-2--3---3-3-3-3-3---3-3--0-0-0-0-0-0-0----------------| |-3---3-3-3-----------------------2-2-2-2-2-2-2----------------| |---------------------------------3-3-3-3-3-3-3----------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash