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PM PM PM PM PM |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |------3-------2-------0-------0-------0--2-| |-3-3-----3-3-----3-3-----3-3-----3-3-------| |-------------------------------------------| PM PM PM PM PM |---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |-------3-------2-------0-------0--------0--2-| |---------------------------------------------| |--1-1-----1-1-----1-1-----1-1-----1-1--------| PM PM PM PM PM |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |------3-------2-------0-------0-------0--2-| |-3-3-----3-3-----3-3-----3-3-----3-3-------| |-------------------------------------------| PM PM PM PM PM |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |-------3-------2-------0-------3--------2-2-| |--------------------------------------------| |--3-3-----3-3-----3-3-----3-3-----3-3-------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash