* This content is licensed by BMI
x x |-0-------0---0--0--0--0---------------------------------------| |-0-------2---2--2--2--2---------------------------------------| |-2-------2---2--2--2--2---------------------------------------| |-2-------2----------------------------------------------------| |-0-------0----------------------------------------------------| |--------------------------------------------------------------| x x |-2-------0--0--0--0--0----------------------------------------| |-3-------3--3--3--3--3----------------------------------------| |-0-------0--0--0--0--2----------------------------------------| |-0-------0--0--0--0--0----------------------------------------| |-2-------2-----------0----------------------------------------| |-0-------0-----------2----------------------------------------| x x |-2-------0--0--0--0--0----------------------------------------| |-3-------3--3--3--3--3----------------------------------------| |-0-------0--0--0--0--0----------------------------------------| |-0-------0--0--0--0--0----------------------------------------| |-x-------x----------------------------------------------------| |-3-------3----------------------------------------------------| x x |-2------0---0--0--0--0----------------------------------------| |-3------3---3--3--3--3----------------------------------------| |-2------2---2--2--2--2----------------------------------------| |-0------0---0--0--0--0----------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| x x |-0-------0---0--0--0--0---------------------------------------| |-0-------2---2--2--2--2---------------------------------------| |-2-------2---2--2--2--2---------------------------------------| |-2-------2----------------------------------------------------| |-0-------0----------------------------------------------------| |--------------------------------------------------------------| x x |-2-------0--0--0--0--0----------------------------------------| |-3-------3--3--3--3--3----------------------------------------| |-0-------0--0--0--0--2----------------------------------------| |-0-------0--0--0--0--0----------------------------------------| |-2-------2-----------0----------------------------------------| |-0-------0-----------2----------------------------------------| x x |-2-------0--0--0--0--0----------------------------------------| |-3-------3--3--3--3--3----------------------------------------| |-0-------0--0--0--0--0----------------------------------------| |-0-------0--0--0--0--0----------------------------------------| |-x-------x----------------------------------------------------| |-3-------3----------------------------------------------------| |-2--2--2--2--2--2--2--2---------------------------------------| |-3--3--3--3--3--3--3--3---------------------------------------| |-2--2--2--2--2--2--2--2---------------------------------------| |-0--0--0--0--0--0--0--0---------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash