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|-----11-----11-------10------8-------5-----3------1-| |--------------------------------------------------0-| |---14--14/12--12/10----10/9-9-8/5---5-5---4-4/2---2-| |-0------------------0-------------0-----0-------0-0-| |----------------------------------------------------| |----------------------------------------------------| |-----11--------11------10------8-----5-----3--------1-| |----------------------------------------------------0-| |---14--14/12-12--12--10--10/9-9-8---5-5/4-4-4/2---2-2-| |-0------------------0-------------0-------------0---0-| |------------------------------------------------------| |------------------------------------------------------| |-----------------0---------|----|-------2-| |-------------------3---3---|----|---1-1-3-| |---------------------2---2-|-3X-|---0-2-2-| |---------0-3b4-0-----------|----|---2-3-0-| |-0-0-3b4-------------------|----|-0-3-3---| |---------------------------|----|---------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash