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|--0----0---0-3------------0-0---------------------------------| |--1----1---1-1-3---3-0----0-1-1-------------------------------| |--0----0---0-0-0---0-0----0-0-0-------------------------------| |--2----2---2-2-1---2-2----2-2-2-------------------------------| |--3----3---3-3-3---3-3----3-3-3-------------------------------| |--------------------------------------------------------------| |--0----0---0-0--------------0-0-------------------------------| |--1----1---1-1-3---3-0----0-1-1-------------------------------| |--2----2---2-2-2---2-2----2-2-2-------------------------------| |--2----2---2-2-2---2-2----2-2-2-------------------------------| |--0----0---0-0-0---0-0----0-0-0-------------------------------| |-------------------------------------------------------------- |--------------------------------------------------------------| |--1----1-0---0-1---1-0---0-1---0-0-------1--------------------| |--0----0-0---0-0---0-0---0-0---0-0-------2--------------------| |--2----2-2---2-2---2-2---2-2---2-2-------2---2----------------| |--2----2-2---2-2---2-2---2-2---2-2-------3--------------------| |--0----0-0---0-0---0-0---0-0---0-0-------1--------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash