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Standard tuning, no capo. NOTE: I play the Emaj7 chord in the following way: e|---| B|-4-| Of course you may play it differently, G|-1-| (as it might be hard to do for beginners) D|-2-| but this way it has the same effect A|-2-| as in Benjamin's studio version. E|-0-| Intro: G#m F# Ebm E G#m F# Ebm E Emaj7 G#m F# I know that you are leaving Ebm E but I hope that you can stay G#m F# The hardest part about healing Ebm E Emaj7 was knowing what you?d say G#m F# When your garden was covered in snow, love Ebm E I could tell what you wanted to say G#m F# And then when you called me again, love Ebm E (mute) You told me you were going to break G#m F# Is that you on that plane oh~ Ebm E Is that you in the sky again oh~ G#m F# I know that it's been through, yeah Ebm E 'cause I hear it in your voice G#m F# I know you tried to fight it Ebm E Emaj7 Did you ever have a choice G#m F# When we walked through Rome in the evening Ebm E getting high in little bars G#m F# At least we took what we were seeing Ebm E (mute) and kept it in our little hearts G#m F# Is that you on that plane oh~ Ebm E Is that you in the sky again oh~ G#m F# Is that you on that plane oh~ Ebm E Emaj7 Is that you in the sky again oh~ E F# | e|---| Oh, let it go, it is done now | During this B|-0-| E F# | part, play G|-3-| You have rolled and rolled away | the F# chord D|-4-| E F# | like this: A|-4-| Let it never be said you were missing | E|-2-| G#m F# E F# 'cause you're never missing to me G#m F# I know that you are leaving Ebm E but I hope that you can stay G#m F# The hardest part about healing Ebm E Emaj7 was knowing what you would say End on: G#m
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