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intro: G F E D C G verse C F E I am an anti-christ I am an anarchist Don't know what I want but I know how to get it C I wanna destroy the passerby chorus G F E D C F E C I wanna be anarchy G second verse Anarchy for the UK It's coming sometime maybe I give a wrong time stop a traffic line You're future dream is a shopping scheme chorus bridge: D E D G third verse there are many ways to get what you want I use the best I use the rest I use the enemy I use anarchy chorus second bridge (just move up two frets, play the verse) D G F# D G F# D G F# D G F# fourth verse Is this the MPLA or is this the UDA Is this the IRA I thought it was the UK chorus (Or just another council tenency) chorus thrice more ;------------------------------------------- Intro: G F E D C Right... now! C (PM) Hahaha! C A C A C A C FI Em Dm EmVII Dm EmVII Dm EmVII Dm G G GIII GIII The guitar solo like this: E-----12------------------|-----14-------------------- B-/13---13----------13/---|-/15----15-------15----11/- G----------14~------14/---|-/16-------16~---16-16-12/- D-------------------------|--------------------------- A-------------------------|--------------------------- E-------------------------| -------------------------- e-----12--------------------|------14-------------------- b-/13----13---------13------|---------15-------------11/- g-/14-------14~ ----14--14/-|-/16--------16~---1610-12/- d---------------------------|---------------------------- a---------------------------|---------------------------- e---------------------------|---------------------------- e-----12--------------------|------14-------------------- b-/13----13---------13--13/-|-/15-----15------15---11/-- g-/14-------14~ ----14--14/-|-/16--------16~--16---12/-- d---------------------------|---------------------------- a---------------------------|---------------------------- e---------------------------|---------------------------- e-----12------------------------|------------------------- b-/13----13---------13--13-----|----8-8~--/13-----13--13- g-/14-------14~-----14--14-----|----7-7~------14--14--14- d----------------------------7/-|-/9---------------------- a-------------------------------|------------------------- e-------------------------------|------------------------- e---------------------------------|------------------|------------------| b-13-15-15-15~--------------------|-----5-3-5-3------|-/3-----5-5-5-5---| g-14-16-16-16~--(16)-/19-19--0-4-|-5-7-5-4-5-4-0----|-/4-0---5-5-5-5---| d-----------------------------0---|---------------0--|------0-----------| a---------------------------------|------------------|----------------0-| e---------------------------------|------------------|------------------| Next comes the bridge DII 1,2,3 GIII F#m 4 D e--2--2---0-2---3-|---2---0-0h2-2-2-2--|---2---0-0-2-2-2-| b--3--3-3-3-3-3-3-|---3---3-3---3-3-3--|---3---3-3---3-3-| g:-2--2---2-2-2-2-|---2---2-2---2-2-2-:|---2---2-2---2-2-| d--0--0---0-0---0-|-0-0-0---0---0-0-0--|-0-0-0---0---0-0-| a-----------------|--------------------|-----------------| e-----------------|--------------------|-----------------| ^ microphonic feedback pitch B Next comes the bridge. This part is a little dificult to tabulate clearly. Stands for the repeat measure sing, and the numbers above the tab refer to each repeat. There is a background guitar with plays a rhythem using DII, GIII and F#m, and ending with a measure of D. I'll label where the rhythem guitar chord changes are above the lead guitar tab. If you're confused, just listen to the damn song. DII 1,2,3, GIII F#m 4 D e--2--2----0-2---3-|----2---0-0h--2-2-2--|---2---0-0-2-2-2-| b--3--3-3-3-3-3-3-|----3---3-3---3-3-3--|---3----3-3---3-3-| g--2--2----2-2-2-2-|---2----2-2---2-2-2--|---2---2-2---2-2-| d--0--0----0-0---0-|-0-0-0----0---0-0-0--|-0-0-0---0---0-0-| a-------------------- |------------------------|--------------------| e--------------------|-------------------------|--------------------| _______________________________________________________ Contribuição: anonimo(not)
Written by Glen Matlock, John Joseph Lydon, Paul Thomas Cook, Stephen Philip Jones
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