roll up this ad to continue
Intro: Am D7 F
Am
Oh, well imagine, as I'm pacing the pews in a church corridor,
D7 F
and I can't help but to hear, no I can't help but to hear an exchanging of words:
Am
'What a beautiful wedding! What a beautiful wedding!' says a bridesmaid to a waiter.
D7 F
'Yes, but what a shame, what a shame, the poor groom's bride is a whore.'
Am F D7 F
I'd chime in with a 'Haven't you people ever heard of closing a goddamn door?!'
Am F D7 G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am F D7 F
I'd chime in, 'Haven't you people ever heard of closing a goddamn door?!'
Am F D7 G
No, it's much better to face these kinds of things with a sense of...
Am
Well in fact, well I'll look at it this way, I mean technically our marriage is saved
D7 F
Well this calls for a toast, so pour the champagne
Am
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
D7 F Am Em Am Em7
Well this calls for a toast, so pour the champagne, pour the champagne
Am F D7 F
I'd chime in with a 'Haven't you people ever heard of closing a goddamn door?!'
Am F D7 G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am F D7 F
I'd chime in, 'Haven't you people ever heard of closing a goddamn door?!'
Am F D7 G Am F G Am F G
No, it's much better to face these kinds of things with a sense of poise and racionality
Am F G
Again...
Am F D7 F
I'd chime in with a 'Haven't you people ever heard of closing a goddamn door?!'
Am F D7 G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am F D7 F
I'd chime in, 'Haven't you people ever heard of closing a goddamn door?!'
Am F D7 G Am F G Am F G
No, it's much better to face these kinds of things with a sense of poise and racionality
Am F G
Again...