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Verse 1 A D Overnight scenes, dinner and wine, Saturday girls A D I was never in love never had the time in my hustle and hurry world Bm E C#m F#m Laughing myself to sleep, waking up lonely D A E I needed someone to hold me oh whoa ohh A D It's such a crazy old town, it can drag you down til you run out of dreams A D So you party all night to the music and lights but you don't know what happiness means Bm E C#m F#m I was dancing in the dark with strangers, no love around me D A E When suddenly you found me, oh whoa ohh CHORUS (A/Ab means A chord over a Ab bass note): A A E E A A/Ab D Girl you're every woman in the world to me Bm D E You're my fantasy You're my reality E A A/Ab D Girl you're every woman in the world to me Bm C#sus4 C# You're everything I need; you're everything to me F# Oh girl Verse 2 A# D# Everything good, everything fine, that's what you are A# D# So put your hand in mind and together we'll climb as high as the highest star Cm F Dm Gm I'm living a lifetime in every minute that we're together D# A# F(2) And I'm stayin' right here forever oh whoa ohh CHORUS 2 A# A# F2 F2 A# A#/A D# Girl you're every woman in the world to me Cm D# F You're my fantasy You're my reality F A# A#/A D# Girl you're every woman in the world to me Cm Dsus4 D You're everything I need; you're everything to me G Oh girl Up another half step! | v E -------------------------------------------------------------- B --------8-8-------8-8------8----7-8-8--------- 9-9--11-12--14- G ----7-h9-----7-h9-----7-h9----9----------9-h11---------------- D -------------------------------------------------------------- A -------------------------------------------------------------- E -------------------------------------------------------------- CHORUS 3 B B B/Bb E Girl you're every woman in the world to me C#m E F# You're my fantasy You're my reality F# B B/Bb E Girl you're every woman in the world to me C#m E F# You're everything I need; you're everything to me REPEAT CHORUS 3 AND FADE (THANKFULLY) ** You must learn this using barre chords because of the song's constant upward- spiraling key changes; a barre chord guide is provided ** h = hammer-on p = pull-off (^#) = bend up to this number fret's pitch on the number listed That Opening Lick--This might be a little uncomfortable when it sounds most interesting, but it makes sense and feels more natural after a few plays.
Written by Dominic King, Frank John Musker
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