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Guava Jelly; This Train; Cornerstone; Comma Comma;
Dewdrops; Stir It Up; I'm Hurting Inside
a. GUAVA JELLY
G C D G
Baby, I really, really love you now.
G C D
I think you should stop your cryin';
C D
Here my kerchief to dry your eyes,
C D
You know that I love you, yea-eah-eah.
G D Em D
Groovy; here I am:
C Bm
Come rub it 'pon me belly
Am G
Like a guava jelly.
G D Em D
Damsel, here I stand:
C Bm
Come rub it 'pon me belly
Am G
Like-a guava jelly.
G C G Am G
b. THIS TRAIN
G C
This train - mm - mm - mm;
G C G
This train is bound to glory - this train;
C D G C G
Talkin' 'bout ma: this train is bound to glory - this train:
G C
This train is bound to glory,
D
This train carry no un'oly;
G C D G D D4 D D4
This train - I'm a-talkin' 'bout: this train.
G C
When I was just a kid,
G C
My mommy used to sing this song.
Bm Am
Now I've grown to be a man,
G Am Bm
Well, it still lingers deep down in my soul;
G Bm Am
I said, it still lingers deep down in my soul.
C G C G C G
I'm talkin' 'bout: this train is bound to glory - this train;
G C G D D4 D D4
This train is bound to glory - this train;
G C
This train is bound to glory,
D
O dis 'ere train carry no un'oly.
G D G D
This train - I'm a-talkin' 'bout: this train.
G C G
c. CORNERSTONE
G C G C
The stone that the builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that the builder refuse
G C G C
Will always be the head cornerstone.
D G
You're a builder, baby;
C G
Here I am, a stone.
D G
Don't you pick and refuse me,
G C
'Cause the things people refuse
G C
Are the things they should choose.
G D
Do you 'ear me? Hear what I say!
G C G C
Stone that the builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that the builder refuse, yeah! ?
G C G C
Will always be the head cornerstone.
D G
You're a builder, baby;
C G
Wo, here I am, a stone!
D G
Don't you pick and refuse me,
G C
'Cause the t'ings people refuse
G C
Are the things they should use;
G C
The things people refuse
G C
Are the things they should use.
G D
Do you 'ear me? Hear what I say!
G C G C
Stone dat them builder refuse
G C G C
Will always be the head cornerstone-a;
G C G C
The stone that dem builder refuse
G C Bm D C# C C Bm
Will always be the head cornerstone.
d. COMMA COMMA
G C
Comma, comma, come back here,
G C
My-y young lady;
G C
Comma, comma, come back here to me,
G C
My-y young lady, yeah!
G C
Jus' while I thought
G C G
Everything was running smooth,
C
She left me
G C
While I was in the mood.
G C
Now I'm callin' to you,
G C
But my world is relying for you to:
G C
Comma, comma, come back here,
G C
My-y young lady, yeah!
G C
Comma, comma, come back here to me,
G C
My-y young lady!
G C
Jus' while I thought
G C
Everything was running smooth.
G C (vai abaixando até parar)
You know I love you;
Oh now I love you. /fadeout/
e. DEWDROPS
63 - 63 52 55 42 43 42 55 - 63
Mm-mm-hm.
G Bm
I've been searchin' the whole darn day
Am G
For a little woman of mine - mine - mine - mine.
G Bm
Someone a-told me I could find her here
Am G
But it seem she disappear.
G Bm
Said, I searched the whole darn day;
Am G
Night is drawing nigh.
G Bm
I t'ink I'd better go home;
Am G
Try tomorrow again.
G Bm
But when I reached that railroad station,
Am G
I missed the last train,
C Bm
And then it seemed like dewdrops
Am G
Gonna fall on me;
C Bm
Yes, it seem like teardrops
Am D G
Gonna call on me now.
G Bm
I said, I'd better make up my mind
Am G
What am I gonna do.
G Bm
Am I gonna rest up here,
Am G
Or am I gonna push on through?
G Bm
My mind say, 'Hey, man, ya hit the road.'
Am G
Down there I missed the track - track - track;
G Em
I'm lost! Lord, I'm lost, eh!
C D G
Love is such a heavy load!
C G
And then: for crying out loud, come back to me!
C G
For crying out loud, hear my plea!
C G
For crying out loud, come back to me!
Am C G
Why do you treat me so bad?
Am C G
Why do you treat me so bad?
G Bm
Mm - mm - mm - mm - bam, bam.
Am G
Bom, bom, bome, bome.
f. STIR IT UP
G C
Let's stir it up!
G C D
Stir it up, little darlin';
G
Stir it up. Yaga, yaga.
C D G
Little darlin', stir it up. Mm.
C D
Little darlin'.
G
It's been a long, long time
C C G C D
Since I've got you on my mind, o-oh.
G
Now you are here
C D
It's so clear:
G
See what we could do,
C D
Just you and me, yea-eah!
G
Let's stir it up!
C D G
Little darlin', stir it up!
Oh, come on, woman!
C D G
Little darlin', come on! Stir it up. ...
C D
Little darlin'.
G C G C
I'll push the wood, blaze the fire;
G C G C
Satisfy your heart desire.
G C G C
I'll a-stir it, yeah - every minute, yeah!
G C G C
All you got to do, honey, Keep it in it.
G
Let's stir it up!
C D G
Little darlin', let's stir it up!
C D G
Little darlin', stir it up!
C D G Am G F
Oh, wo - wo - wo - wo-ah, li'l darlin'. Lead up now.
g. I'M HURTING INSIDE
Am G F
When I was just a little child,
Am G F
'Appiness was there awhile.
Am G F
Then from me it slipped one day:
Am G F
'Appiness, come back, I say,
Am
'Cause if you don't come - come,
G
I go looking, yeah! ?
F
For 'appiness.
Am
'Cause if you don't come - come,
G
I go looking now! ?
F
For 'appiness.
Am G F
Then together like school children,
Am G F
Then your hurt was just in vain.
Am G F
Lord, I'm your weary child:
Am G F
'Appiness, come back. Oh, I ?
Am
'Cause if you don't come
G
Gonna go lookin', yeah! ?
F
For 'appiness.
Am
And if you don't come,
G
Gonna go lookin', yeah! ?
F
For 'appiness.
Am G F
Like Jah said, I'm a-hurtin' inside;
Am G F
I'm a-hurtin' inside.
Written by Robert Nesta Marley