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|----10b12r10--12-8-10-7-------------------14----12-------| |-8-----------------------10-8-7----15b17-----15----13-12-| |-x------------------------------7------------------------| |-X-------------------------------------------------------| |-X-------------------------------------------------------| |-X-------------------------------------------------------| |-17b19r17-17~--19b20-19--20b22--20-20-19-20-19-15-17-15-14-12-| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------12-----------------------------10b12r10~-| |-15--15b17-----13-12-13-12-10--10b12r10p8------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash