* This content is licensed by BMI
|-----------0---------2----------------0-------------------| |---------0-----3-------3----1-----1h3----3----------------| |-------0---------2-------2----0------------0---0----0---0-| |-----4-------------4------------2------------0------------| |---2---------2--------------3-----------------------------| |-0---------------------------------------3--------3---2---| |-----------0---------2----------------0--2-----2h3p2-----| |---------0-----3-------3----1-----1h3------3---------3---| |-------0---------2-------2----0--------------2---------2-| |-----4-------------4------------2--------0---------------| |---2---------2--------------3----------------------------| |-0-------------------------------------------------------| |-5------10-| |---7----10-| |-----7--11-| |-----------| |-----------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash