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|-9--9--9--7--9--10---------10-10-10-10--9--9--9---9--7--9--7--| |-10-10-10-10-10-10--8-8-8--10-10-10-10-----10-10--10-10-10-10-| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-9--9--9--7--9--10---------10-10-10---9-9--9---9--7--9--| |-10-10-10-10-10-10--8-8-8--10-10-10-----10-----10-10-10-| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-5p2-5p2-5p2---------------------| |-------------3p0-3p0-3-3p0-------| |---------------------------4-----| |-----------------------------4---| |-------------------------------4-| |---------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash