* This content is licensed by BMI
|----------------------------------------------------------------| |-----1---------1----------0------------0----------------3---3---| |-------0---------0----------0------------0---------0------2---2-| |---2-----2---2-----2---0------0------0-----0-----4----0---------| |-3---------3---------------------0h2---------3/5----------------| |---------------------3------------------------------------------| |-0h2-----------0------------------------------------------------| |------3---3------3---3---------1---------1----------0---------0-| |--------2---2------2---2---------0---------0----------0---------| |-----------------------------2-----2---2-----2----0-----0---0---| |---------------------------3---------3--------------------------| |------------------------------------------------3---------3-----| |--------------| |--------------| |--0-----------| |----0----3/4~-| |---------4/5~-| |--------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash